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Silk Road transmission of art
Many artistic influences transited along the Silk Road, especially through the Central Asia, where Hellenistic, Iranian, Indian and Chinese influence were able to interact. In particular Greco-Buddhist art represent one of the most vivid examples of this interaction.
As shown on the 1st century CE Silk Road map, there is no single road but a whole network of long-distance routes: mainly two land routes and one sea route.
==Scythian art==
Following contacts of metropolitan China with nomadic western and northwestern border territories in the 8th century BCE, gold was introduced from Central Asia, and Chinese jade carvers began to make imitation designs of the steppes, adopting the Scythian-style animal art of the steppes (descriptions of animals locked in combat). This style is particularly reflected in the rectangular belt plaques made of gold and bronze with alternate versions in jade and steatite.〔''"There is evidence of gold belt-plaques with "Scythian" "animal style" art, greaves, barrows and other indications of the penetration of steppe cultures south of the Yangzi before the Han period"'' (Mallory and Mair "The Tarim Mummies", p.329)〕
Even though that happened, the correspondence between the "Scythians" as an ethnic group and their material culture is still subject to discussion and research. The subject is part of the broader "nomadic" and "sedentary" debate.
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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